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portada Crisis Cinema in the Middle East: Creativity and Constraint in Iran and the Arab World (en Inglés)
Formato
Libro Físico
Idioma
Inglés
N° páginas
326
Encuadernación
Tapa Blanda
ISBN13
9781350190559

Crisis Cinema in the Middle East: Creativity and Constraint in Iran and the Arab World (en Inglés)

Shohini Chaudhuri (Autor) · Bloomsbury Academic · Tapa Blanda

Crisis Cinema in the Middle East: Creativity and Constraint in Iran and the Arab World (en Inglés) - Shohini Chaudhuri

Libro Físico

$ 67.769

$ 112.948

Ahorras: $ 45.179

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  • Estado: Nuevo
Origen: Estados Unidos (Costos de importación incluídos en el precio)
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Reseña del libro "Crisis Cinema in the Middle East: Creativity and Constraint in Iran and the Arab World (en Inglés)"

In recent years, the Arab world and Iran have been afflicted by cataclysmic events, among them brutal state crackdowns of revolutions. Yet, filmmakers have persisted in their desire to tell their stories, against the odds, in creative acts that attest to their imagination, courage and resilience.In this book, Shohini Chaudhuri examines a broad range of films made during the tumultuous period since 2009, ranging from internationally award-winning festival favourites, such as For Sama (2019), Capernaum(2018) and Taxi Tehran (2015), to lesser-known films from the region. While freedom of expression is often understood through the lens of state censorship, she reveals the different types of obstacles that filmmakers face and their strategies for overcoming them so that those constraints are transformed into creative opportunities. Using her original interviews with filmmakers such as Waad al-Kateab, Yasmin Fedda, Larissa Sansour, Mani Haghighi and Ossama Mohammed, she identifies nine creative strategies for producing work under conditions of crisis.Chaudhuri argues that creativity is indelibly shaped by constraints, whether these are externally imposed by existing materials, funding and socio-political conditions, or self-imposed constraints, through choices of genre or acceptance of rules and responsibilities.She shows that the range of creative strategies emanating from the region is much wider than allegory and becoming ever more direct. She thus opens up new lines of inquiry into cinematic creativity in sites of conflict and crisis in the Middle East and beyond.

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